John Chard
⭐ 8/10 July 7, 2019
Stylish and smouldering.
Frank White, a drug lord of New York, is released from prison and plans to make a more positive mark on the city. But after reuniting with his loyal and violence hungry gang, he finds the odds are very much stacked up against him. Not only has New York changed for the worse, being run by incompetent pretenders to his crown, but the police force are also after his head - dead or alive!
First time viewers to this pict… read the rest.
Stylish and smouldering.
Frank White, a drug lord of New York, is released from prison and plans to make a more positive mark on the city. But after reuniting with his loyal and violence hungry gang, he finds the odds are very much stacked up against him. Not only has New York changed for the worse, being run by incompetent pretenders to his crown, but the police force are also after his head - dead or alive!
First time viewers to this picture should not go into it expecting some Scarface type gangster movie, I made that mistake almost 17 years ago and came out the cinema totally cheesed off! Revisiting the film now has opened up a whole new ream of delights that when put together have created a simmering and brutal piece of work. What director Abel Ferrara has managed to do here is portray a fable of how a leopard never changes its spots - even though it wants too. Frank White is here a victim of his own past doings, with his reputation on the wane and the authorities with long and unforgiving memories.
What hits the most (outside of some brilliant acting) is Abel Ferrara's bleak yet gorgeous vision of a sin city Big Apple, the characters are all one step away from a death, something that we the audience hope comes swift and nasty, all of which is cloaked in this plink plink lighted vision of the underworld. Ferrara chooses to pace his picture to give us a sense of pervading doom, it's quite a knack and means the viewers have to hang on in there to get to the wonderful, and dare I say it, bleakly appropriate conclusion.
Christopher Walken is Frank White and gives one of his best career performances, all scary eyes and dialogue spurting precision, he pours out grit and emotion to garner sympathy where he perhaps really shouldn't be getting it. Larry Fishburne, David Caruso, Victor Argo, Wesley Snipes, Janet Julian and Steve Buscemi fill out the cast list, with Fishburne and his manic Jimmy Jump character practically walking off with the movie. So all in all it's a visual delight and a story that is very good on the ears, with the violence perfectly harsh to flesh out the grim nature of this pot boiling crime picture.
So, those in need of a pick me up should probably steer well clear then. 8/10
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r96sk
⭐ 6/10 March 10, 2022
Shoulda loved it, didn't.
The violent nature of <em>'King of New York'</em> is its strongest element, though otherwise I found this to be unsatisfying. A lot happens but none of it really clicked for me, while I held very little interest in any of the characters - despite an exceptional cast list.
Christopher Walken, Laurence Fishburne, Wesley Snipes, Steve Buscemi and Giancarlo Esposito are all in there, yet none of their performances shon… read the rest.
Shoulda loved it, didn't.
The violent nature of <em>'King of New York'</em> is its strongest element, though otherwise I found this to be unsatisfying. A lot happens but none of it really clicked for me, while I held very little interest in any of the characters - despite an exceptional cast list.
Christopher Walken, Laurence Fishburne, Wesley Snipes, Steve Buscemi and Giancarlo Esposito are all in there, yet none of their performances shone through to me to be honest. Walken is the obvious standout, though that's only via a process of elimination.
Gritty gangster flicks would usually be my thing, but for some reason this 1990 release disappointed me.
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