April 22, 2019

If you really wanted to stare death in the eye, you shoulda gotten married.

Sylvester Stallone and Kurt Russell play polar opposite Los Angeles cops who are framed by an arch nemesis and forced to team up in order to clear their name.

Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel… read the rest.

If you really wanted to stare death in the eye, you shoulda gotten married.

Sylvester Stallone and Kurt Russell play polar opposite Los Angeles cops who are framed by an arch nemesis and forced to team up in order to clear their name.

Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel is Cash, the slobbish act first - ask questions later copper, both men very different but both excellent at their jobs.

Pic gets by mostly on the chemistry between Stallone and Russell, who put much zest into their respective characters bickering and bantering. Action is well put together by director Andrey Konchalovskiy, but unfortunately the final third of the piece starts to sag as our mismatched cops start to respect and befriend each other and the plot reaches the inevitable conclusion.

It doesn't help matters that Jack Palance's main villain is only a bit part player, or that his head henchman Requin (the usually ace Brion James) gives us a quite appalling British accent. Add in Teri Hatcher who is in it purely for dressage and as a cypher between the two boys, then it's a picture not without problems. Yet the script and star turns from the leading duo ensure this remains a favourite of many whom lapped it up back in the backend of the 1980s. 7/10

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