Louisa Moore - Screen Zealots
April 4, 2025
Director Tony Goldwyn‘s “Ezra” is a surprisingly heartfelt family drama that manages to be both funny and emotional in all the right ways. While it can sometimes feel too pedestrian, the story blends a road trip narrative with themes of family dynamics, personal trauma, and the unconditional love between a father and son.
Max (Bobby Cannavale) is a stand-up comedian and a father to Ezra (William A. Fitzgerald), a young boy on the autism spectr… read the rest.
Director Tony Goldwyn‘s “Ezra” is a surprisingly heartfelt family drama that manages to be both funny and emotional in all the right ways. While it can sometimes feel too pedestrian, the story blends a road trip narrative with themes of family dynamics, personal trauma, and the unconditional love between a father and son.
Max (Bobby Cannavale) is a stand-up comedian and a father to Ezra (William A. Fitzgerald), a young boy on the autism spectrum. Devoted to his son, Max is fiercely protective of his unique qualities while remaining adamant about not “fixing” him because he believes Ezra is perfect as he is. But when forced to make a tough choice about the boy ‘s future, Max acts rashly, taking Ezra on a cross-country journey without his ex-wife Jenna’s (Rose Byrne) permission. This impulsive move creates both tension and heartfelt moments, as it forces Max to confront the consequences of his actions and the depths of his love for his son.
What sets the film apart is its authentic, raw portrayal of autism (the script is written by Tony Spiridakis, whose own experiences with an autistic son give the story an undeniable sense of realism). Fitzgerald (who is also on the spectrum) interacts with a world in a way that feels incredibly true to life because it is. The film captures the little things, like Ezra’s struggles with physical touch and his love for puzzles and memorization, without ever feeling exploitative. This is a film that doesn’t just shine a light on the challenges of autism, but exposes a world of nuance and individuality. You could say it’s educational in that way.
Cannavale’s performance as a deeply flawed father who’s totally devoted to his son is impressive. I didn’t know the actor had this much range, and he’s quite good. His character’s anger-management issues and rash decisions add a layer of complexity but it’s clear that every wrong step he takes is driven by love that isn’t always expressed in the healthiest way. Byrne provides a grounding balance to the chaos, portraying a character who is the voice of reason, and Robert De Niro’s role as Max’s father, Stan, is written in a way that’s more meaningful than a series of platitudes that often surround a dad trying to make amends for his past failures. Stan’s attempts to connect with Ezra and support his son are touching, and De Niro’s performance adds a depth to the family dynamics that feels earned and real.
The film strikes a perfect balance between drama and humor. There are moments of missteps where you’ll cringe at Max’s choices, but there’s never any doubt about his fierce, unwavering love for his son. This father-son relationship is at the emotional center of the film and serves as a reminder of how love can be messy, complicated, but also transformative.
“Ezra” is a story about family and how love isn’t always perfect. It blends humor and heart so well, providing a funny and moving look at fatherhood, redemption, and the bond between generations.
By: Louisa Moore / SCREEN ZEALOTS
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